(no subject)
Sep. 15th, 2003 05:12 pmFinished watching RSVP today. It was good and I liked it, but watching Glenn Quinn still made me a little sad. Especially knowing - after I did a little research last night - that it was his last film.
But I'd kind of rather discuss the movie a bit. 'Cos it was good. It's about a party, and the host kills off all his guests. Relax, that's not a spoiler, because there are two slasher movie conventions that RSVP throws out the window.
* We know the killer's identity from the beginning.
* The deaths are, for the most part, quick and simple (often inventive, but simple), not bloody, wrenching, and drawn out over an entire scene. Even the most viscerally unpleasant (as opposed to psychologically disturbing) murder is positively tame compared to, say, the Scream trilogy.
So what's left? Well, there's humour. Character-building conversation. A good old-fashioned brawl which probably has the most blood in the movie. There's the sense of cognitive dissonance that comes from seeing Jay without Silent Bob. (I'm not saying Jason Mewes can't do any other character. I'm saying that the character as scripted is basically Jay, so Mewes doesn't really bother trying to play another character.)
And there's probably loads of stuff that only becomes meaningful upon viewing number two.
It's kind of an odd movie, and the villain-reveals-his-motive scene has already been done (Kevin Williamson took a stab [sorry] at it about six years ago), but it's worth a try. I enjoyed myself. Be sure to check out the deleted scenes for added insight into what the writer/director was going for. And probably the commentary, too, but I haven't watched that yet.
And, yes, Glenn Quinn did a fantastic job.
But I'd kind of rather discuss the movie a bit. 'Cos it was good. It's about a party, and the host kills off all his guests. Relax, that's not a spoiler, because there are two slasher movie conventions that RSVP throws out the window.
* We know the killer's identity from the beginning.
* The deaths are, for the most part, quick and simple (often inventive, but simple), not bloody, wrenching, and drawn out over an entire scene. Even the most viscerally unpleasant (as opposed to psychologically disturbing) murder is positively tame compared to, say, the Scream trilogy.
So what's left? Well, there's humour. Character-building conversation. A good old-fashioned brawl which probably has the most blood in the movie. There's the sense of cognitive dissonance that comes from seeing Jay without Silent Bob. (I'm not saying Jason Mewes can't do any other character. I'm saying that the character as scripted is basically Jay, so Mewes doesn't really bother trying to play another character.)
And there's probably loads of stuff that only becomes meaningful upon viewing number two.
It's kind of an odd movie, and the villain-reveals-his-motive scene has already been done (Kevin Williamson took a stab [sorry] at it about six years ago), but it's worth a try. I enjoyed myself. Be sure to check out the deleted scenes for added insight into what the writer/director was going for. And probably the commentary, too, but I haven't watched that yet.
And, yes, Glenn Quinn did a fantastic job.